A recording of the artist singing the traditional sea shanty "Lowlands Away" under Glasgow's bridges was played through speakers into the exhibiting gallery, conjuring an evocative sense of place and the past calling us back through time with ancient words.
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Forensic Architecture, Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson all made the cut, the eventual winner taking home £25,000, while the other nominees are all awarded £5,000.
“This year’s jury has chosen an outstanding group of artists,” said Alex Farquharson, director of Tate Britain, “all of whom are tackling the most pressing political and humanitarian issues of today.” Heading up the shortlist is Forensic Architecture, a 15-person team made of architects, journalists, film-makers, and more, noted by the prize’s jury for “developing highly innovative methods for sourcing and visualising evidence relating to human rights abuses”.
Damien Hirst's cows preserved in formaldehyde are undoubtedly among the most iconic and divisive spectacles to have featured, along with Tracey Emin's (1998), which didn't actually win but was sufficiently notorious to inspire performance artists Yuan Chai and Jian Jun Xi to offer a riposte, staging a pillow fight among its sheets before being removed by security.
Both were synonymous with the so-called Young British Artists movement and came to be closely associated with the cigarettes-and-Chablis spirit of the moment.
(You Be the Judge)": "Damien Hirst's got his fish in a tank/Some say it's art, others think it's w**k".
, Ms Wearing's film of actors standing still for an hour dressed as policemen, is perhaps best remembered as the subject of a live Channel 4 News discussion that Ms Emin stormed out of while in a state of heightened refreshment, a defining controversy associated with the Turner. " One, , quoted Bob Marley and poignantly depicted a black woman weeping for the murder of teenager Stephen Lawrence in Eltham, south east London, a crime that shocked Britain in 1993 and saw the victim's mother Doreen spearhead a campaign calling for an inquiry into the subsequent failed police investigation.
The Turner was routinely picketed by the Stuckists, a protest group calling for a return to figurative painting, who would demonstrate outside Tate Britain dressed as clowns bearing placards dismissing it as "a state-funded advertising agency for Charles Saatchi" and arguing that it should be renamed "the Duchamp Award for the destruction of artistic integrity".
amounted to art or pornography, putting the question to adult film star Ben Dover ("Porn is the new rock and roll and what this piece of art is, in my opinion, is verbal justification for it.
The Turner Prize may be maligned in some quarters as pretentious or willfully oblique but, like Trafalgar Square's Fourth Plinth, it provides a rare opportunity to put challenging, immersive contemporary art before the general public and for that service alone deserves to be cut some slack.